هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Murder of Roger Ackroyd

CHAPTER 1 Dr Sheppard at the Breakfast Table
Mrs Ferrars died on the night of the 16th17th September - a Thursday. I was sent for at eight o'clock on
the morning of Friday the 17th. There was nothing to be done. She had been dead some hours.
It was just a few minutes after nine when I reached home once more. I opened the front door with my
latchkey, and purposely delayed a few moments in the hall, hanging up my hat and the light overcoat that
I had deemed a wise precaution against the chill of an early autumn morning. To tell the truth, I was
considerably upset and worried. I am not going to pretend that at that moment I foresaw the events of the
next few weeks. I emphatically did not do so.
But my instinct told me that there were stirring times ahead.
From the dining-room on my left there came the rattle of tea-cups and the short, dry cough of my sister
Caroline.
'Is that you, James?' she called.
An unnecessary question, since who else could it be? To tell the truth, it was precisely my sister Caroline
who was the cause of my few minutes' delay. The motto of the mongoose family, so Mr Kipling tells us,
is: 'Go and find out.' If Caroline ever adopts a crest, I should certainly suggest a mongoose rampant. One
might omit the first part of the motto. Caroline can do any amount of finding out by sitting placidly at
home. I don't know how she manages it, but there it is. I suspect that the servants and the tradesmen
constitute her Intelligence Corps. When she goes out, it is not to gather in information, but to spread it. At
that, too, she is amazingly expert.
 

The Murder of Roger Ackroyed

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