هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Witches    

 In fairy-tales, witches always wear silly black hats and black cloaks, and they ride on broomsticks.
 But this is not a fairy-tale. This is about REAL WITCHES.
 The most important thing you should know about REAL WITCHES is this. Listen very carefully. Never
forget what is coming next.
 REAL WITCHES dress in ordinary clothes and look very much like ordinary women. They live in
ordinary houses and they work in ORDINARY JOBS.
 That is why they are so hard to catch.
 A REAL WITCH hates children with a red-hot sizz-ling hatred that is more sizzling and red-hot than any
hatred you could possibly imagine.
 A REAL WITCH spends all her time plotting to get rid of the children in her particular territory. Her
passion is to do away with them, one by one. It is all she thinks about the whole day long. Even if she is
working as a cashier in a supermarket or typing letters for a businessman or driving round in a fancy car
(and she could be doing any of these things), her mind will always be plotting and scheming and churning
and burning and whiz-zing and phizzing with murderous bloodthirsty thoughts.
 "Which child," she says to herself all day long, "exactly which child shall I choose for my next
squelching?"
 A REAL WITCH gets the same pleasure from squel-ching a child asyou get from eating a plateful of
strawberries and thick cream.
 She reckons on doing away with one child a week. Anything less than that and she becomes grumpy.
 One child a week is fifty-two a year.
 Squish them and squiggle them and make them disappear.
 That is the motto of all witches.
 Very carefully a victim is chosen. Then the witch stalks the wretched child like a hunter stalking a little
bird in the forest. She treads softly. She moves quietly. She gets closer and closer. Then at last, when
everything is ready...phwisst! ... and she swoops! Sparks fly. Flames leap. Oil boils. Rats howl. Skin
shrivels. And the child dis-appears.
 A witch, you must understand, does not knock children on the head or stick knives into them or shoot at
them with a pistol. People who do those things get caught by the police.
 A witch never gets caught. Don't forget that she has magic in her fingers and devilry dancing in her
blood. She can make stones jump about like frogs and she can make tongues of flame go flickering
across the surface of the water.
 

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