❞ رواية The Moon and Sixpence ❝ ⏤ W. Somerset Maugham

هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Moon and Sixpence    

I confess that when first I made acquaintance with Charles
Strickland I never for a moment discerned that there was in
him anything out of the ordinary. Yet now few will be found
to deny his greatness. I do not speak of that greatness which
is achieved by the fortunate politician or the successful
soldier; that is a quality which belongs to the place he
occupies rather than to the man; and a change of circumstances
reduces it to very discreet proportions. The Prime Minister
out of office is seen, too often, to have been but a pompous
rhetorician, and the General without an army is but the tame
hero of a market town. The greatness of Charles Strickland
was authentic. It may be that you do not like his art, but at
all events you can hardly refuse it the tribute of your
interest. He disturbs and arrests. The time has passed when
he was an object of ridicule, and it is no longer a mark of
eccentricity to defend or of perversity to extol him.
His faults are accepted as the necessary complement to his merits.
It is still possible to discuss his place in art, and the
adulation of his admirers is perhaps no less capricious than
the disparagement of his detractors; but one thing can never
be doubtful, and that is that he had genius. To my mind the
most interesting thing in art is the personality of the
artist; and if that is singular, I am willing to excuse a
thousand faults. I suppose Velasquez was a better painter
than El Greco, but custom stales one's admiration for him:
the Cretan, sensual and tragic, proffers the mystery of his
soul like a standing sacrifice. 
 

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