هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Breakfast at Tiffany's    

Sid Arbuck: Hey! Hey, baby, what’s going on here?
Holly Golightly: Oh, hi.
Mr. Yunioshi: Miss Gorightly! Someday...someday! Miss Gorightly!
Sid Arbuck: What happened to you anyway/You take off for the powder
room. That’s the last I see you.
Holly Golightly: Now, really, Harry...
Sid Arbuck: Harry was the other guy. I’m Sid. Sid Arbuck. You like me,
remember?
Mr. Yunioshi: Miss Gorightly! I protest!
Holly Golightly: Oh, darling, I am sorry, but I lost my key.
Mr. Yunioshi: But, that was two weeks ago. You cannot go on keep ringing
my bell. You disturb me. You must have a key made!
Holly Golightly: But it won’t do any good. I lose them all.
Sid Arbuck: Come on, baby. You like me. You know you do.
Holly Golightly: I worship you, Mr. Arbuck. Good night, Mr. Arbuck.
Sid Arbuck: Wait a minute! What is this? You like me. I’m a liked guy. You
like me, baby, you know you do. Didn’t I picked up the check for five people—
your friends, I never seen them before. When you asked for change for the
powder room, what did I give you? I give you a $50 bill. Now doesn’t that give
me some rights? 
 

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