هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Nights in Rodanthe    

Three years earlier, on a warm November morning in 1999, Adrienne Willis had returned to the Inn
and at first glance had thought it unchanged, as if the small Inn were impervious to sun and sand and
salted mist. The porch had been freshly painted, and shiny black shutters sandwiched rectangular whitecurtained windows on both floors like offset piano keys. The cedar siding was the color of dusty snow.
On either side of the building, sea oats waved a greeting, and sand formed a curving dune that changed
imperceptibly with each passing day as individual grains shifted from one spot to the next.
With the sun hovering among the clouds, the air had a luminescent quality, as though particles of
light were suspended in the haze, and for a moment Adrienne felt she’d traveled back in time. But
looking closer, she gradually began to notice changes that cosmetic work couldn’t hide:
decay at the corners of the windows, lines of rust along the roof, water stains near the gutters. The
Inn seemed to be winding down, and though she knew there was nothing she could do to change it,
Adrienne remembered closing her eyes, as if to magically blink it back to what it had once been.
Now, standing in the kitchen of her own home a few months into her sixtieth year, Adrienne hung up
the phone after speaking with her daughter. She sat at the table, reflecting on that last visit to the Inn,
remembering the long weekend she’d once spent there. Despite all that had happened in the years that
had passed since then, Adrienne still held tight to the belief that love was the essence of a full and
wonderful life.
Outside, rain was falling. Listening to the gentle tapping against the glass, she was thankful for its
steady sense of familiarity. Remembering those days always aroused a mixture of emotions in her—
something akin to, but not quite, nostalgia. Nostalgia was often romanticized; with these memories,
there was no reason to make them any more romantic than they already were. Nor did she share these
memories with others. They were hers, and over the years, she’d come to view them as a sort of
museum exhibit, one in which she was both the curator and the only patron. And in an odd way,
Adrienne had come to believe that she’d learned more in those five days than she had in all the years
before or after.

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