هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Miraculous Journey of Edward Tulane    

ONCE, IN A HOUSE ON EGYPT STREET, there
lived a rabbit who was made almost entirely
of china. He had china arms and china legs,
china paws and a china head, a china torso
and a china nose. His arms and legs were
jointed and joined by wire so that his china
elbows and china knees could be bent, giving
him much freedom of movement.
His ears were made of real rabbit fur, and
beneath the fur, there were strong, bendable
wires, which allowed the ears to be arranged
into poses that reflected the rabbit’s mood —
jaunty, tired, full of ennui. His tail, too, was
made of real rabbit fur and was fluffy and soft
and well shaped.
The rabbit’s name was Edward Tulane,
and he was tall. He measured almost three feet
from the tip of his ears to the tip of his feet;
his eyes were painted a penetrating and
intelligent blue.
In all,Edward Tulane felt himself to be an
exceptional specimen. Only his whiskers gave
him pause.They were long and elegant (as
they should be), but they were of uncertain
origin.Edward felt quite strongly that they
were not the whiskers of a rabbit. Whom the
whiskers had belonged to initially — what
unsavory animal — was a question that
Edward could not bear to consider for too
long. And so he did not. He preferred, as a
rule, not to think unpleasant thoughts.
Edward’s mistress was a ten-year-old,
dark-haired girl named Abilene Tulane, who
thought almost as highly of Edward as Edward
thought of himself.Each morning after she
dressed herself for school, Abilene dressed
Edward.

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