هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Phantom Tollbooth    

There was once a boy named Milo who didn't know what to do with himself—
not just sometimes, but always.
When he was in school he longed to be out, and when he was out he longed to
be in. On the way he thought about coming home, and coming home he thought
about going. Wherever he was he wished he were somewhere else, and when he got
there he wondered why he'd bothered. Nothing really interested him—least of all
the things that should have.
"It seems to me that almost everything is a waste of time," he remarked one day
as he walked dejectedly home from school. "I can't see the point in learning to solve 
useless problems, or subtracting turnips from turnips, or knowing where Ethiopia is
or how to spell February." And, since no one bothered to explain otherwise, he
regarded the process of seeking knowledge as the greatest waste of time of all.
As he and his unhappy thoughts hurried along (for while he was never anxious
to be where he was going, he liked to get there as quickly as possible) it seemed a
great wonder that the world, which was so large, could sometimes feel so small and
empty.
"And worst of all," he continued sadly, "there's nothing for me to do, nowhere
I'd care to go, and hardly anything worth seeing." He punctuated this last thought
with such a deep sigh that a house sparrow singing nearby stopped and rushed home
to be with his family

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