❞ رواية Schindler's List ❝ ⏤ Thomas Keneally

هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Schindler's List    

NED KELLY AND THE CITY OF BEES THOMAS KENEALLY was born in 1935 and
was educated in Sydney, Australia. In addition to Schindler’s List, which won the Booker
Prize and the L.a. Times Book Award for fiction, his books include To Asmara, The
Chant of Jimmie Blacksmith, and Flying Hero Class, which was shortlisted for the
Sunday Express Book of the Year Award. He presently teaches in the graduate writing
program at the University of California at Irvine, where he holds a Distinguished
Professorship. He is also Chairman of the Australian Republican Movement, which seeks
to end Australia’s constitutional connections with Great Britain.
TO THE MEMORY OF
OSKAR SCHINDLER,
AND TO LEOPOLD PFEFFERBERG,
WHO BY ZEAL AND PERSISTENCE
CAUSED THIS BOOK
TO BE WRITTEN
SCHINDLER’S LIST
AUTHOR’S NOTE
In 1980 I visited a luggage store in
Beverly Hills, California, and inquired the
prices of briefcases. The store belonged
to Leopold Pfefferberg, a Schindler
survivor. It was beneath Pfefferberg’s shelves of
imported Italian leather goods that I first heard
of Oskar Schindler, the German bon
vivant, speculator, charmer, and sign of
contradiction, and of his salvage of a cross section of a condemned race during those
years now known by the generic name Holocaust.
This account of Oskar’s astonishing history is based in the first place on interviews with
50 Schindler survivors from seven nations—
Australia, Israel, West Germany, Austria, the United States, Argentina, and Brazil. It is
enriched by a visit, in the company of Leopold Pfefferberg, to locations that
prominently figure in the book: Cracow, Oskar’s adopted city; P@lasz@ow, the scene of
Amon Goeth’s foul labor camp; Lipowa Street, Zablocie, where Oskar’s factory still
stands; Auschwitz-Birkenau, from which Oskar extracted his women prisoners. But the
narration depends also on documentary and other information
supplied by those few wartime associates of Oskar’s who can still be reached, as well as
by the large body of his postwar friends.

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