❞ رواية Go Tell It on the Mountain ❝ ⏤ جيمس بالدوين

هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Go Tell It on the Mountain    

INTRODUCTION
To Jimmy (and Jose), with Love
No rhetorical sleight of words should mask that Trayvon Martin was a son. He had
parents. No rhetorical sleight of words should allow us to ignore that any child is
everyone’s child.1
 Trayvon Martin was killed February 26, 2012, in part because he was reduced to
a stereotype, and after his death, Trayvon was again reduced—often by wellmeaning people—to an icon, the hoodie. In his death, as well, Trayvon has been
spoken about, spoken for—and I am compelled to argue that he has also been
rendered voiceless. But, as Arundhati Roy (2004) has explained, “We know of
course there’s really no such thing as the ‘voiceless.’ There are only the
deliberately silenced, or the preferably unheard” (n.p.).
 In this introduction to a volume on the work of James Baldwin, I, like Roy, am
compelled to speak beyond Trayvon about “the deliberately silenced, or the
preferably unheard”—about those Others: African American males.
 At mid-twentieth century, as the U.S. was fighting against its racist heritage,
African American males demanded to be heard—Martin Luther King Jr., Malcolm
X, Ralph Ellison, James Baldwin, Richard Wright and many others took the stage
as artists, public intellectuals, and civic leaders. Wright’s Black Boy and Ellison’s
Invisible Man represent in fictional narrative a powerful and disturbing image of
the African American male; for Ellison, the guiding metaphor of that narrative
is invisibility. The killing of Trayvon and the subsequent trial may suggest that
African American males no longer suffer from invisibility but from how they are
seen, how they are silenced, and how they are unheard: Trayvon seen (and
reduced) as black male, thus necessarily a thug, a threat, and then Trayvon, the
hoodie, the icon of the disposable African American male. 
 

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