โ ูุชุงุจ The Writings of Oscar Wilde (Volume 4) โ โค ุฃูุณูุงุฑ ูุงููุฏ
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated.
Excerpt: ... lord arthur savile'S crime. I. It was Lady Windermere's last reception before Easter, and Bentinck House was even more crowded than usual.
Six Cabinet Ministers had come on from the Speaker's Levee in their stars and ribands, all the pretty women wore their smartest dresses, and at the end of the picture-gallery stood the Princess Sophia of Carlsriihe, a heavy Tartar-looking lady, with tiny black eyes and wonderful emeralds, talking bad French at the top of her voice, and laughing immoderately at everything that was said to her. It was certainly a wonderful medley of people.
Gorgeous peeresses chatted affably to violent Radicals, popular preachers brushed coat-tails with eminent sceptics, a perfect bevy of bishops kept following a stout prima-donna from room to room, on the staircase stood several Royal Academicians, disguised as artists, and it was said that at one time the supper-room was absolutely crammed with geniuses. In fact, it was one of Lady Windermere's best nights, and the Princess stayed till nearly half-past eleven.
As soon as she had gone, Lady Windermere returned to the picture-gallery, where a celebrated political economist was solemnly explaining the scientific theory of music to an indignant virtuoso from Hungary, and began to talk to the Duchess of Paisley.
She looked wonderfully beautiful with her grand ivory throat, her large blue forget-me-not eyes, and her heavy coils of golden hair.
Or pur they were--not that pale straw colour that nowadays usurps the gracious name of gold, but such gold as is woven into sunbeams or hidden in strange amber; and they gave to her face something of the frame of a saint, with not a little of the fascination of a sinner. She was a curious psychological study. Early in life she had discovered the important tru...
ุฃูุณูุงุฑ ูุงููุฏ - ูุงู ุฃูุณูุงุฑ ูููุฌุงู ุฃูููุงููุฑุชู ูููุฒ ูุงููุฏ ูุงุชุจูุง ู
ุณุฑุญููุง ูุดุงุนุฑูุง ูู
ุคูููุง ููุนุฏูุฏ ู
ู ุงููุตุต ุงููุตูุฑุฉ ูุฑูุงูุฉ ูุงุญุฏุฉ. ุงุดุชูุฑ ุจุฐูุงุฆู ุงููุงุฐุน ุ ูููุฑุฉ ู
ู ุงูุฃู
ุซุงู ุ ูุฃุตุจุญ ูุงุญุฏูุง ู
ู ุฃูุฌุญ ุงููุชุงุจ ุงูู
ุณุฑุญููู ูู ุฃูุงุฎุฑ ุงูุนุตุฑ ุงููููุชูุฑู ูู ููุฏู ุ ููุงุญุฏูุง ู
ู ุฃุนุธู
ุงูู
ุดุงููุฑ ูู ุนุตุฑู. ูุณุชู
ุฑ ุฃุฏุงุก ุงูุนุฏูุฏ ู
ู ู
ุณุฑุญูุงุชู ุนูู ูุทุงู ูุงุณุน ุ ูุฎุงุตุฉ ุฃูู
ูุฉ ุฃู ุชููู ุฌุงุฏูุง .
ูุชูุฌุฉ ูุณูุณูุฉ ู
ู ุงูู
ุญุงูู
ุงุช ุงูุชู ุชู
ุช ุชุบุทูุชูุง ุนูู ูุทุงู ูุงุณุน ุ ุนุงูู ูุงููุฏ ู
ู ุงูููุงุฑ ู
ุฃุณุงูู ูุณูุฌู ูู
ุฏุฉ ุนุงู
ูู ู
ุน ุงูุฃุดุบุงู ุงูุดุงูุฉ ุจุนุฏ ุฅุฏุงูุชู ุจุงุฑุชูุงุจ "ู
ุฎุงููุงุช ุฌุณูู
ุฉ" ู
ุน ุฑุฌุงู ุขุฎุฑูู. ุจุนุฏ ุฅุทูุงู ุณุฑุงุญ ูุงููุฏ ู
ู ุงูุณุฌู ุ ุฃุจุญุฑ ุฅูู ุฏููุจ ุจูุงุณุทุฉ ุงูุนุจุงุฑุฉ ุงูููููุฉ. ูู
ูุนุฏ ุฅูู ุฃูุฑููุฏุง ุฃู ุจุฑูุทุงููุง ุ ูุชููู ูู ููุฑ.
โฐ ูู ู
ุฌู
ูุนุฉ ู
ู ุงูุฅูุฌุงุฒุงุช ูุงูู
ุคููุงุช ุฃุจุฑุฒูุง โ ุฏูุฑูุงู ุฌุฑุงู โ โ ุฅู
ุฑุฃุฉ ุจูุง ุฃูู
ูุฉ โ โ The Picture of Dorian Gray โ โ The Importance of Being Earnest and Four Other Plays โ โ The Importance of Being Earnest and Other Plays โ โ Impressions of America โ โ Poems in Prose โ โ A Woman of No Importance โ โ ุตูุฑุฉ ุฏูุฑูุงู ุฌุฑุงู ูุณุจุน ูุตุต ูุตูุฑุฉ โ ุงููุงุดุฑูู : โ ุฌู
ูุน ุงูุญููู ู
ุญููุธุฉ ููู
ุคูู โ โ ุงูู
ุคุณุณุฉ ุงูุนุฑุจูุฉ ููุฏุฑุงุณุงุช ูุงููุดุฑ โ โ ุงูู
ุคุณุณุฉ ุงูุนุฑุจูุฉ ููุทุจุน ูุงููุดุฑ ูุงูุชูุฒูุน โ โ ุฏุงุฑ ุงููุฑูู โ โ Cambridge, Mass. โ โ ู
ูุดูุฑุงุช ุฑูุดูู โ โฑ
ู
ู ูุชุจ ุงูุงุฏุจ ุงูุงูุฌููุฒู ุงุฏุจ ุงูุจูุฏุงู ุงูุบุฑุจูุฉ - ู
ูุชุจุฉ ุงููุชุจ ูุงูู
ูุณูุนุงุช ุงูุนุงู
ุฉ.