📘 قراءة رواية Water for Elephants أونلاين
هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية
(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.
A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."
The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.
Water for Elephants
I am ninety. Or ninety-three. One or the other.
When you’re five, you know your age down to the month. Even in your twenties you know how old you are. I’m twenty-three, you say, or maybe twenty-seven. But then in your thirties something
strange starts to happen. It’s a mere hiccup at first, an instant of hesitation. How old are you? Oh, I’m—you start confidently, but then you stop. You were going to say thirty-three, but you’re not. You’re
thirty-five. And then you’re bothered, because you wonder if this is the beginning of the end. It is, of course, but it’s decades before you admit it.
You start to forget words: they’re on the tip of your tongue, but instead of eventually dislodging, they stay there. You go upstairs to fetch something, and by the time you get there you can’t remember
what it was you were after. You call your child by the names of all your other children and finally the dog before you get to his. Sometimes you forget what day it is. And finally you forget the year.
Actually, it’s not so much that I’ve forgotten. It’s more like I’ve stopped keeping track. We’re past the millennium, that much I know—such a fuss and bother over nothing, all those young folks clucking
with worry and buying canned food because somebody was too lazy to leave space for four digits instead of two—but that could have been last month or three years ago. And besides, what does it
really matter? What’s the difference between three weeks or three years or even three decades of mushy peas, tapioca, and Depends undergarments?
I am ninety. Or ninety-three. One or the other.
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سنة النشر : 2006م / 1427هـ .
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