❞ رواية Breaking Dawn ❝ ⏤ Stephenie Meyer

هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Breaking Dawn

No one is staring at you, I promised myself. No one is staring at you. No one is staring
at you.
But, because I couldn’t lie convincingly even to myself, I had to check.
As I sat waiting for one of the three traffic lights in town to turn green, I peeked to the
right—in her minivan, Mrs. Weber had turned her whole torso in my direction. Her eyes
bored into mine, and I flinched back, wondering why she didn’t drop her gaze or look
ashamed. It was still considered rude to stare at people, wasn’t it? Didn’t that apply to
me anymore?
Then I remembered that these windows were so darkly tinted that she probably had no
idea if it was even me in here, let alone that I’d caught her looking. I tried to take some
comfort in the fact that she wasn’t really staring at me, just the car.
My car. Sigh.
I glanced to the left and groaned. Two pedestrians were frozen on the sidewalk, missing
their chance to cross as they stared. Behind them, Mr. Marshall was gawking through
the plate-glass window of his little souvenir shop. At least he didn’t have his nose
pressed up against the glass. Yet.
The light turned green and, in my hurry to escape, I stomped on the gas pedal without
thinking—the normal way I would have punched it to get my ancient Chevy truck
moving.
Engine snarling like a hunting panther, the car jolted forward so fast that my body
slammed into the black leather seat and my stomach flattened against my spine.
“Arg!” I gasped as I fumbled for the brake. Keeping my head, I merely tapped the
pedal. The car lurched to an absolute standstill anyway.
 

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