❞ كتاب An Introduction to English Phonology ❝  ⏤ April McMahon

❞ كتاب An Introduction to English Phonology ❝ ⏤ April McMahon

An Introduction to
English Phonology

April McMahon

Edinburgh Textbooks on the English Language
General Editor
Heinz Giegerich, Professor of English Linguistics (University of Edinburgh)
Editorial Board
Laurie Bauer (University of Wellington)
Derek Britton (University of Edinburgh)
Olga Fischer (University of Amsterdam)
Norman Macleod (University of Edinburgh)
Donka Minkova (UCLA)
Katie Wales (University of Leeds)
Anthony Warner (University of York)
An Introduction to English Syntax
Jim Miller
An Introduction to English Phonology
April McMahon
An Introduction to English Morphology
Andrew Carstairs-McCarthy


An Introduction to
English Phonology
Contents
To colleagues ix
1 Sounds, spellings and symbols 1
1.1 Phonetics and phonology 1
1.2 Variation 4
1.3 The International Phonetic Alphabet 5
Recommendations for reading 11
2 The phoneme: the same but different 12
2.1 Variation and when to ignore it 12
2.2 Conditioned variation in written language 13
2.3 The phoneme 14
2.4 Some further examples 17
2.5 The reality of the phoneme 19
Exercises 21
Recommendations for reading 22
3 Describing English consonants 23
3.1 What’s inside a phonetic symbol? 23
3.2 Consonant classification 23
3.3 The anatomy of a consonant 24
Exercises 34
Recommendations for reading 35
4 Defining distributions: consonant allophones 36
4.1 Phonemes revisited 36
4.2 Making generalisations 36
4.3 Making statements more precise 38
4.4 A more economical feature system 40
4.5 Natural classes 46
4.6 A warning note on phonological rules 47
01 pages i-x prelims 18/10/01 1:14 pm Page v
Exercises 50
Recommendations for reading 51
5 Criteria for contrast: the phoneme system 52
5.1 Minimal pairs and beyond 52
5.2 Phonetic similarity and defective distributions 53
5.3 Free variation 56
5.4 Neutralisation 58
5.5 Phonology and morphology 60
5.6 Rules and constraints 62
5.7 The phoneme system 63
Exercises 65
Recommendations for reading 66
6 Describing vowels 67
6.1 Vowels versus consonants 67
6.2 The anatomy of a vowel 69
6.3 Vowel classification 74
Exercises 77
Recommendations for reading 78
7 Vowel phonemes 79
7.1 The same but different again 79
7.2 Establishing vowel contrasts 79
7.3 Vowel features and allophonic rules 85
7.4 Phonetic similarity and defective distribution 87
7.5 Free variation, neutralisation and morphophonemics 88
Exercises 91
Recommendations for reading 91
8 Variation between accents 92
8.1 The importance of accent 92
8.2 Systemic differences 94
8.3 Realisational differences 99
8.4 Distributional differences 101
Exercises 102
Recommendations for reading 103
9 Syllables 104
9.1 Phonology above the segment 104
9.2 The syllable 104
9.3 Constituents of the syllable 105
vi AN INTRODUCTION TO ENGLISH PHONOLOGY
01 pages i-x prelims 18/10/01 1:14 pm Page vi
9.4 The grammar of syllables: patterns of acceptability 106
9.5 Justifying the constituents 109
Exercises 115
Recommendations for reading 116
10 The word and above 117
10.1 Phonological units above the syllable 117
10.2 Stress 118
10.3 The foot 124
10.4 Segmental phonology of the phrase and word 128
Exercises 131
Recommendations for reading 132
Discussion of the exercises 133
References 143
Index 145
April McMahon - ❰ له مجموعة من المؤلفات أبرزها ❞ An Introduction to English Phonology ❝ ❱
من علم الأصوات phonology كتب تعلم اللغة الإنجليزية - مكتبة كتب تعلم اللغات.

نُبذة عن الكتاب:
An Introduction to English Phonology

2002م - 1442هـ
An Introduction to
English Phonology

April McMahon

Edinburgh Textbooks on the English Language
General Editor
Heinz Giegerich, Professor of English Linguistics (University of Edinburgh)
Editorial Board
Laurie Bauer (University of Wellington)
Derek Britton (University of Edinburgh)
Olga Fischer (University of Amsterdam)
Norman Macleod (University of Edinburgh)
Donka Minkova (UCLA)
Katie Wales (University of Leeds)
Anthony Warner (University of York)
An Introduction to English Syntax
Jim Miller
An Introduction to English Phonology
April McMahon
An Introduction to English Morphology
Andrew Carstairs-McCarthy


An Introduction to
English Phonology
Contents
To colleagues ix
1 Sounds, spellings and symbols 1
1.1 Phonetics and phonology 1
1.2 Variation 4
1.3 The International Phonetic Alphabet 5
Recommendations for reading 11
2 The phoneme: the same but different 12
2.1 Variation and when to ignore it 12
2.2 Conditioned variation in written language 13
2.3 The phoneme 14
2.4 Some further examples 17
2.5 The reality of the phoneme 19
Exercises 21
Recommendations for reading 22
3 Describing English consonants 23
3.1 What’s inside a phonetic symbol? 23
3.2 Consonant classification 23
3.3 The anatomy of a consonant 24
Exercises 34
Recommendations for reading 35
4 Defining distributions: consonant allophones 36
4.1 Phonemes revisited 36
4.2 Making generalisations 36
4.3 Making statements more precise 38
4.4 A more economical feature system 40
4.5 Natural classes 46
4.6 A warning note on phonological rules 47
01 pages i-x prelims 18/10/01 1:14 pm Page v
Exercises 50
Recommendations for reading 51
5 Criteria for contrast: the phoneme system 52
5.1 Minimal pairs and beyond 52
5.2 Phonetic similarity and defective distributions 53
5.3 Free variation 56
5.4 Neutralisation 58
5.5 Phonology and morphology 60
5.6 Rules and constraints 62
5.7 The phoneme system 63
Exercises 65
Recommendations for reading 66
6 Describing vowels 67
6.1 Vowels versus consonants 67
6.2 The anatomy of a vowel 69
6.3 Vowel classification 74
Exercises 77
Recommendations for reading 78
7 Vowel phonemes 79
7.1 The same but different again 79
7.2 Establishing vowel contrasts 79
7.3 Vowel features and allophonic rules 85
7.4 Phonetic similarity and defective distribution 87
7.5 Free variation, neutralisation and morphophonemics 88
Exercises 91
Recommendations for reading 91
8 Variation between accents 92
8.1 The importance of accent 92
8.2 Systemic differences 94
8.3 Realisational differences 99
8.4 Distributional differences 101
Exercises 102
Recommendations for reading 103
9 Syllables 104
9.1 Phonology above the segment 104
9.2 The syllable 104
9.3 Constituents of the syllable 105
vi AN INTRODUCTION TO ENGLISH PHONOLOGY
01 pages i-x prelims 18/10/01 1:14 pm Page vi
9.4 The grammar of syllables: patterns of acceptability 106
9.5 Justifying the constituents 109
Exercises 115
Recommendations for reading 116
10 The word and above 117
10.1 Phonological units above the syllable 117
10.2 Stress 118
10.3 The foot 124
10.4 Segmental phonology of the phrase and word 128
Exercises 131
Recommendations for reading 132
Discussion of the exercises 133
References 143
Index 145 .
المزيد..

تعليقات القرّاء:


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Phonology is a branch of linguistics concerned with the systematic 
organization of sounds in spoken languages and signs in sign languages. It used to be only the study of the systems of phonemes in spoken languages (and therefore used to be also called phonemics, or phonematics), but it may also cover any linguistic analysis either at a level beneath the word (including syllable, onset and rime, articulatory gestures, articulatory features, mora, etc.) or at all levels of language where sound or signs are structured to convey linguistic meaning.[1]

Sign languages have a phonological system equivalent to the system of sounds in spoken languages. The building blocks of signs are specifications for movement, location and handshape.[2]


Contents
1    Terminology
2    Derivation and definitions
3    History
4    Analysis of phonemes
5    Other topics in phonology
6    See also
7    Notes
8    Bibliography
9    External links
Terminology
The word 'phonology' (as in the phonology of English) can also refer to the phonological system (sound system) of a given language. This is one of the fundamental systems which a language is considered to comprise, like its syntax, its morphology and its vocabulary.

Phonology is often distinguished from phonetics. While phonetics concerns the physical production, acoustic transmission and perception of the sounds of speech,[3][4] phonology describes the way sounds function within a given language or across languages to encode meaning. For many linguists, phonetics belongs to descriptive linguistics, and phonology to theoretical linguistics, although establishing the phonological system of a language is necessarily an application of theoretical principles to analysis of phonetic evidence. Note that this distinction was not always made, particularly before the development of the modern concept of the phoneme in the mid 20th century. Some subfields of modern phonology have a crossover with phonetics in descriptive disciplines such as psycholinguistics and speech perception, resulting in specific areas like articulatory phonology or laboratory phonology.

Derivation and definitions
The word phonology comes from Ancient Greek φωνή, phōnḗ, "voice, sound," and the suffix -logy (which is from Greek λόγος, lógos, "word, speech, subject of discussion"). Definitions of the term vary. Nikolai Trubetzkoy in Grundzüge der Phonologie (1939) defines phonology as "the study of sound pertaining to the system of language," as opposed to phonetics, which is "the study of sound pertaining to the act of speech" (the distinction between language and speech being basically Saussure's distinction between langue and parole).[5] More recently, Lass (1998) writes that phonology refers broadly to the subdiscipline of linguistics concerned with the sounds of language, while in more narrow terms, "phonology proper is concerned with the function, behavior and organization of sounds as linguistic items."[3] According to Clark et al. (2007), it means the systematic use of sound to encode meaning in any spoken human language, or the field of linguistics studying this use.[6]

History
Early evidence for a systematic study of the sounds in a language appears in the 4th century BCE Ashtadhyayi, a Sanskrit grammar composed by Pāṇini. In particular the Shiva Sutras, an auxiliary text to the Ashtadhyayi, introduces what may be considered a list of the phonemes of the Sanskrit language, with a notational system for them that is used throughout the main text, which deals with matters of morphology, syntax and semantics.

The study of phonology as it exists today is defined by the formative studies of the 19th-century Polish scholar Jan Baudouin de Courtenay, who (together with his students Mikołaj Kruszewski and Lev Shcherba) shaped the modern usage of the term phoneme in a series of lectures in 1876-1877. The word phoneme had been coined a few years earlier in 1873 by the French linguist A. Dufriche-Desgenettes. In a paper read at the 24th of May meeting of the Société de Linguistique de Paris,[7] Dufriche-Desgenettes proposed that phoneme serve as a one-word equivalent for the German Sprachlaut.[8] Baudouin de Courtenay's subsequent work, though often unacknowledged, is considered to be the starting point of modern phonology. He also worked on the theory of phonetic alternations (what is now called allophony and morphophonology), and may have had an influence on the work of Saussure according to E. F. K. Koerner.[9]


Nikolai Trubetzkoy, 1920s
An influential school of phonology in the interwar period was the Prague school. One of its leading members was Prince Nikolai Trubetzkoy, whose Grundzüge der Phonologie (Principles of Phonology),[5] published posthumously in 1939, is among the most important works in the field from this period. Directly influenced by Baudouin de Courtenay, Trubetzkoy is considered the founder of morphophonology, although this concept had also been recognized by de Courtenay. Trubetzkoy also developed the concept of the archiphoneme. Another important figure in the Prague school was Roman Jakobson, who was one of the most prominent linguists of the 20th century.

In 1968 Noam Chomsky and Morris Halle published The Sound Pattern of English (SPE), the basis for generative phonology. In this view, phonological representations are sequences of segments made up of distinctive features. These features were an expansion of earlier work by Roman Jakobson, Gunnar Fant, and Morris Halle. The features describe aspects of articulation and perception, are from a universally fixed set, and have the binary values + or −. There are at least two levels of representation: underlying representation and surface phonetic representation. Ordered phonological rules govern how underlying representation is transformed into the actual pronunciation (the so-called surface form). An important consequence of the influence SPE had on phonological theory was the downplaying of the syllable and the emphasis on segments. Furthermore, the generativists folded morphophonology into phonology, which both solved and created problems.

Natural phonology is a theory based on the publications of its proponent David Stampe in 1969 and (more explicitly) in 1979. In this view, phonology is based on a set of universal phonological processes that interact with one another; which ones are active and which are suppressed is language-specific. Rather than acting on segments, phonological processes act on distinctive features within prosodic groups. Prosodic groups can be as small as a part of a syllable or as large as an entire utterance. Phonological processes are unordered with respect to each other and apply simultaneously (though the output of one process may be the input to another). The second most prominent natural phonologist is Patricia Donegan (Stampe's wife); there are many natural phonologists in Europe, and a few in the U.S., such as Geoffrey Nathan. The principles of natural phonology were extended to morphology by Wolfgang U. Dressler, who founded natural morphology.

In 1976, John Goldsmith introduced autosegmental phonology. Phonological phenomena are no longer seen as operating on one linear sequence of segments, called phonemes or feature combinations, but rather as involving some parallel sequences of features which reside on multiple tiers. Autosegmental phonology later evolved into feature geometry, which became the standard theory of representation for theories of the organization of phonology as different as lexical phonology and optimality theory.

Government phonology, which originated in the early 1980s as an attempt to unify theoretical notions of syntactic and phonological structures, is based on the notion that all languages necessarily follow a small set of principles and vary according to their selection of certain binary parameters. That is, all languages' phonological structures are essentially the same, but there is restricted variation that accounts for differences in surface realizations. Principles are held to be inviolable, though parameters may sometimes come into conflict. Prominent figures in this field include Jonathan Kaye, Jean Lowenstamm, Jean-Roger Vergnaud, Monik Charette, and John Harris.

In a course at the LSA summer institute in 1991, Alan Prince and Paul Smolensky developed optimality theory—an overall architecture for phonology according to which languages choose a pronunciation of a word that best satisfies a list of constraints ordered by importance; a lower-ranked constraint can be violated when the violation is necessary in order to obey a higher-ranked constraint. The approach was soon extended to morphology by John McCarthy and Alan Prince, and has become a dominant trend in phonology. The appeal to phonetic grounding of constraints and representational elements (e.g. features) in various approaches has been criticized by proponents of 'substance-free phonology', especially by Mark Hale and Charles Reiss.[10][11]

An integrated approach to phonological theory that combines synchronic and diachronic accounts to sound patterns was initiated with Evolutionary Phonology in recent years.

An Introduction to
English Phonology

April McMahon

Edinburgh Textbooks on the English Language
General Editor
Heinz Giegerich, Professor of English Linguistics (University of Edinburgh)
Editorial Board
Laurie Bauer (University of Wellington)
Derek Britton (University of Edinburgh)
Olga Fischer (University of Amsterdam)
Norman Macleod (University of Edinburgh)
Donka Minkova (UCLA)
Katie Wales (University of Leeds)
Anthony Warner (University of York)
An Introduction to English Syntax
Jim Miller
An Introduction to English Phonology
April McMahon
An Introduction to English Morphology
Andrew Carstairs-McCarthy


An Introduction to
English Phonology
Contents
To colleagues ix
1 Sounds, spellings and symbols 1
1.1 Phonetics and phonology 1
1.2 Variation 4
1.3 The International Phonetic Alphabet 5
Recommendations for reading 11
2 The phoneme: the same but different 12
2.1 Variation and when to ignore it 12
2.2 Conditioned variation in written language 13
2.3 The phoneme 14
2.4 Some further examples 17
2.5 The reality of the phoneme 19
Exercises 21
Recommendations for reading 22
3 Describing English consonants 23
3.1 What’s inside a phonetic symbol? 23
3.2 Consonant classification 23
3.3 The anatomy of a consonant 24
Exercises 34
Recommendations for reading 35
4 Defining distributions: consonant allophones 36
4.1 Phonemes revisited 36
4.2 Making generalisations 36
4.3 Making statements more precise 38
4.4 A more economical feature system 40
4.5 Natural classes 46
4.6 A warning note on phonological rules 47
01 pages i-x prelims 18/10/01 1:14 pm Page v
Exercises 50
Recommendations for reading 51
5 Criteria for contrast: the phoneme system 52
5.1 Minimal pairs and beyond 52
5.2 Phonetic similarity and defective distributions 53
5.3 Free variation 56
5.4 Neutralisation 58
5.5 Phonology and morphology 60
5.6 Rules and constraints 62
5.7 The phoneme system 63
Exercises 65
Recommendations for reading 66
6 Describing vowels 67
6.1 Vowels versus consonants 67
6.2 The anatomy of a vowel 69
6.3 Vowel classification 74
Exercises 77
Recommendations for reading 78
7 Vowel phonemes 79
7.1 The same but different again 79
7.2 Establishing vowel contrasts 79
7.3 Vowel features and allophonic rules 85
7.4 Phonetic similarity and defective distribution 87
7.5 Free variation, neutralisation and morphophonemics 88
Exercises 91
Recommendations for reading 91
8 Variation between accents 92
8.1 The importance of accent 92
8.2 Systemic differences 94
8.3 Realisational differences 99
8.4 Distributional differences 101
Exercises 102
Recommendations for reading 103
9 Syllables 104
9.1 Phonology above the segment 104
9.2 The syllable 104
9.3 Constituents of the syllable 105
vi AN INTRODUCTION TO ENGLISH PHONOLOGY
01 pages i-x prelims 18/10/01 1:14 pm Page vi
9.4 The grammar of syllables: patterns of acceptability 106
9.5 Justifying the constituents 109
Exercises 115
Recommendations for reading 116
10 The word and above 117
10.1 Phonological units above the syllable 117
10.2 Stress 118
10.3 The foot 124
10.4 Segmental phonology of the phrase and word 128
Exercises 131
Recommendations for reading 132
Discussion of the exercises 133
References 143
Index 145


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April McMahon -

كتب April McMahon ❰ له مجموعة من المؤلفات أبرزها ❞ An Introduction to English Phonology ❝ ❱. المزيد..

كتب April McMahon
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